One of the few episodes in Series 1 not written by Russell T Davies, in The Unquiet Dead by Mark Gatiss gives us a creepy Christmas ghost story. At a funeral parlour in Victorian Cardiff, poor Mr Sneed is having problems because, as he says, “The stiffs are getting lively again”. It’s Christmas Eve and a visiting Charles Dickens is rudely interrupted during his performance at the local theatre by one of the walking dead, causing the audience to flee. The Doctor and Rose arrive in the city to the sound of screaming panic, and before we know it Rose has been kidnapped by the undertaker and his maid, and The Doctor gives chase with Mr Dickens to investigate the mysterious goings on.
This is a wonderful story, exciting and creepy, full of sparkling dialogue, and brilliantly performed by all. I know we’ve only had two Mark Gatiss scripts in total so far, but both have a pre-title sequence with no Doctor or companion, but that sets up the story beautifully with a great cliffhanger. In this episode, we see the reanimated corpse of a grandmother escaped from the undertakers and screaming as she walks around the snowy streets. This makes a thrilling start to the adventure, our first in to the past, and it’s easy to miss some of the great dialogue in this script, but it means you can find something new each time you watch it. Some of the highlights for me include Rose’s thoughts on travelling into the past, “Christmas 1860. Happens once, just once, then it’s gone. Finished. Will never happen again. Except for you. You can go back and see days that are dead and gone, a hundred thousand sunsets ago. No wonder you never stay still.” In an atmospheric episode, even the scenes in the TARDIS have a dark feel about them, and this speech just feels like poetry. The whole of the scene with The Doctor and Charles Dickens in the coach is brilliant, with The Doctor explaining the meaning of the word “fan” and both praising and criticising Dickens work within the same sentence. Another one that passed me by initially Gatiss’s play on words when Dickens exclaims “What the Shakespeare is going on?”.
The production team shines when it comes to period design, with excellent sets (the authentic looking parlours in the funeral homes) and then mixed with understated effects of the Gelf. The lighting and cinematography is particularly good and adds to the drama of the story, and the director Euros Lyn has given us a beautifully evocative period piece.
There is not a single weak performance from any of the guest actors in this episode. Although no newcomer to playing Charles Dickens, the great Simon Callow brings him to life, starting as a jaded, lonely man who by the end of the episode has found a new enthusiasm and joy for life. Alan David’s undertaker Sneed could easily have become a hammy caricature, but his portrayal gives us a genuine, honest man overwhelmed by the strange situation he finds himself in. And finally we come to Eve Myles. I’d never seen her before, and what a joy she was. I believe it is from her performance here that Russell T Davies decided to write the part of Gwen Cooper in Torchwood for her. She is amazing as the psychic housemaid, whose innocence and compassion leads to the explosive denouement. Her performance is warm and beautifully understated and a pleasure to watch. As usual, I can’t fault the two leads, both showing the wide range of their acting skills, and both completely enjoyable performances.
Overall, an excellent episode and I give it a rating of 9/10.